Disturbing movie trend of the week
October 26th, 2006 by Jess StrattonIt’s interesting how movie dynamics, plot, and predictability change according to real-life technologies and idioms. Well, sometimes it’s just plain annoying.
Is it just me, or is it becoming far too easy for screenwriters to give us convenient tension by creating cell phone problems? A cell phone that has worked without problem the entire movie will lose its signal at a crucial moment when there is no time to lose. The “low battery” signal flashes, only to have the hero or heroine mutter “damn“, before throwing it aside and moving on to the next idea - at a time in the film when a simple call could have fixed everything.
We’re coming up on the cold weather season, when evening walks are replaced with evening features on the couch with a nice glass of wine, and movie similarities will stand out much more obviously now that I have time to scrutinize them. Not that I’m a critic, no one understands the meaning of “escapism” more than I do, but really. This is getting ridiculous!
The only real effective use I’ve seen of this technique is the movie “Cellular”, in which our hero discovers he is about to drive under a bridge and will lose his signal, which means death to the woman on the other line, who he does not know. What makes this scene effective (and original) is that the tension comes from him realizing the impending loss of signal, rather than use the signal loss as the tension itself (in fact, it’s one of the better scenes of the movie, in which he does a 360 180 in the middle of busy downtown traffic).
Another reason Cellular stands out is creating an entire scene revolving around a dying (not dead) battery, in which he robs a cellular store to buy a new battery (which he pays for!).
For most other movies, this tactic of reception or batteries dying at the worst possible time seems to be a warning sign of lazy screenwriting? or is it just me?
Art imitates life; what a sign of the times, in which cell phones that annoy us so much in real life now can annoy me just as much in film?





