Women ? The Real Sci-Fi Special Effects Pioneers
February 14th, 2005 by Jess StrattonLet’s face it. Science fiction movies usually have a generous sprinkling of special effects, outrageous costumes and cool robot-cyborg type characters. But I’d like to pause and take a moment to honor the ladies, for whom I am about to prove that I believe is where the REAL inspiration for sci-fi came from.
Remember the Cylon Raiders from Battlestar Galactica? Have you ever seen a woman at a wedding? You can see our eyes sliding back and forth at everything, over and over and over again. Taking it all in…getting ideas….filing them away for later. It’s a most unusual phenomenon.
Just like the makeup artists did for the movie Thinner, women have been achieving fake cheekbones for centuries ? just add some light blush over the cheekbones, and dark colors in the hollow of your cheek. Instant no-workout weight-loss.
Who needs to spend thousands of dollars on secret training rooms with fencing to improve hand-eye coordination? Women have been long improving their dexterity by learning how to polish one?s opposite handedness nail, and hair dry the other side of their head.
Secret training room, complete with tools and henchmen: Millions of dollars.
Con-Air ionic hair dryer and Opi’s nail color “Wyatt Earple Purple”: $40. Need I say more?
Digital compositing is the process of putting together multiple images to make one final image. Again, let’s go over these logistics. The first magazine was the New York Post, first published in 1821. The first issue of Cosmopolitan came out in 1886. By means of comparison, the first issue of Time Magazine came out in 1923. But I digress…
The Spring Collection: Prada shoes, page 24. Dolce and Gabbana handbag, page 59.
It didn?t take us long to figure out that if you rip out both pages, buy them all together and wear them at the same time, you’re achieving a desired result of large-scale glamour. And, like digital compositing, this element is also the biggest drain on the budget.
Okay, I’ll admit that I’m sure the idea of morphing as a special effect wasn’t created by women, but rather by men because of women. By morphing, I mean turning one form into another. A human becomes a vampire, a human becomes a metallic robot, etc. The idea actually came about by the reverse, really. Men were long fascinated with the idea that a woman can disappear into a bathroom in the morning looking like a vampire, or werewolf, or some other form of heinous jabberwocky, and then the door would open and she would emerge a stunning beauty. It wasn’t long before it was realized that stopping the film when she went into the bathroom and restarting the film when she emerged would create the illusion of instantaneous change. No one had to know there was a two hour time difference. This is where the process of stop-time photography really came from.
Forget the Hobbits. Women have been using forced perspective tricks for years to make themselves appear taller, not limited to standing a few feet behind our husbands for pictures, and jamming our sensitive feet into size 5 ? heels while simultaneously teasing our hair. In fact, loud earrings and hairstyles have many times been credited as a misdirection trick while the woman walks down the street on the sidewalk, while her husband walks on the street.
Miss Cleo vs. John Edwards. Proving you don?t have to have a handsome face to make a lot of money as a psychic; just really, really annoying television ads.
Who do you think came up with Rosie, the maid from the Jetsons? Here’s some proof that it’s entirely possible for a robot to have huge hips and still get the job done.
Let?s talk about talking cars for a moment, the most notorious of all being KITT, the know-it-all and sometimes attitudinal Trans-Am from Knight Rider. If we can assume the car can drive itself, we can therefore deduct that it can also park itself. Now who do you think came up with THAT idea?
Still, even with that all said, this is probably the most important lesson any woman can teach a sci-fi film creator. At the end of the day, no matter how big your budget is for makeup artists, special effects and fancy costumes, it still might flop without a compelling storyline, interesting character development and a splash of humor.



